Michael Fried

Michael Fried's interpretation of the Burial at Ornans is unique compared to most analysis' done in the past. Less important are Fried's observations of the serpentine path of the mourners, the skewed orientation of the open grave; what is considerably weighty are the dual identites assumed by the beholder. If one assumes the generalized identity of the view from direct opposition to the grave, there is no human connection. The beholder is pulled into the vacant spot embodied in the scene neutrally. If the viewer assumes the position to the left, they are greeted with a gaze of the crucifix bearer and then their eyes are drawn to Max Buchon, which gives this identity the personalized touch of the artist himself.